My Favorite Carole Lombard Screwball Comedies

I recently made a list of my favorite Carole Lombard films for my sister blog All Good Things honoring Carole as the classic movie goddess of the month. I thought I would break that list down even further and list my favorite screwball comedies of hers. So here we go:

MR. AND MRS. SMITH (1941) This delightful battle of the sexes that was surprisingly directed by master of suspense Alfred Hitchcock. It cast Carole and Robert Montgomery as a bickering couple who learn they are not really married. So now thinking they have to do it all over again, they wonder if it's worth it. This is my favorite film of Carole that she did for no other reason than it's a simple and fun little comedy. Lombard and Montgomery mesh well too. Great directing job by Hitch.



MY MAN GODFREY (1936) Carole is perfect as the dizzy socialite Irene Bullock who hires a vagrant played by William Powell) to be her family's butler. One of the best screwball comedies ever made. Lombard showed that her and Powell still had a great chemistry, considering they had just divorced a few years earlier.

TO BE OR NOT TO BE (1942) The last film Carole made before her tragic death is one of her best. She plays actress Maria Tura, who is part of acting troupe in Poland contending with Nazis. Jack Benny plays her husband and they make for an entertaining pair.




HANDS ACROSS THE TABLE (1935) Carole Lombard and Fred MacMurray team up for this delightful comedy about a manicurist and a no gooder who team up to find each their golden goose. Trouble is, they end up falling for each other. Another great comedy from Carole.



NOTHING SACRED (1937) As doomed Hazel Flagg, who thinks she is dying from radium poisoning, Carole is excellent. Fredric March is on hand as the reporter covering her story who begins to like her. Who knew that the subject of death would make such a great comedy. Well it does.




TWENTIETH CENTURY (1934) WOW! Lombard and John Barrymore go at it as a Broadway producer and a Hollywood diva who get back together for a new play. Hilarious hi jinks ensue.




Also notable films include The Princess Comes Across and We're Not Dressing.

Carole Lombard and Robert Montgomery goofing around...

The two stars having fun on the set of Mr. and Mrs. Smith (1941)

NINOTCHKA (1939) lets Greta Garbo cut loose in a great comedy

After years of melodramas and period romance films, the usually serious minded Greta Garbo gets to have some fun in this very entertaining comedy. She plays a special envoy from Russia named Ninotchka who is sent to Paris to investigate the rather unorthodox and generally inefficient way in which three Russian ambassadors (Iranoff, Buljanoff and Kopalskia) are carrying out their job. She gets sidetracked by the unwanted advances of Count Leon d'Algout (played by the irrepressible Melvyn Douglas). His constant attempts to woo her and her not giving make up the bulk of the story. This entire film hinges on whether Garbo could perform in a comedy. And she passes with flying colors. Her Russian envoy is pretty much serious and has no time for games and she nails that portion with no problem. It's when she finally gets to lighten up, is when Garbo really shines. Ninotchka is a wonderful film with plenty of humor and a nice helping of romance as well. GARBO DELIVERS!

JANE WYMAN - An underrated screwball comedy actress

Me and Dawn have been posting about great on screen couples on Noir and Chick Flicks this month in celebration of Valentine's Day. One of my recent picks was the underrated team of Jane Wyman and Jack Carson. So I wanted to expand on Jane Wyman here and focus on her contributions to the screwball comedy genre. Most people know Jane for her serious films such as The Yearling, The Lost Weekend, Johnny Belinda (her only Oscar win), Stage Fright, and All That Heaven Allows. But Jane got her start in film early in her career with some great screwball comedies. During the mid 30's she had bit parts (both uncredited) in several comedies headlining Carole Lombard: My Man Godfrey and Fools For Scandals. She took over playing Torchy Blane, the wise-cracking reporter in 1939's Playing With Dynamite and she was off. Films during this period included Wide Open Faces (1938) with Joe E. Brown; the Brother Rat films with Ronald Reagan, Priscilla Lane and Eddie Albert; and Honeymoon For Three (1941) with Ann Sheridan. All these films provided Jane to work on her comedic skills and she would get better with each subsequent role.

with Ronald Reagan

Her break-out comedy film would be 1941's You're In The Army Now, co-starring Phil Silvers and Jimmy Durante. Jane was the girl caught between the two guys and I think she would learn a lot from working with these two comedians. She would pair up with frequent co-star Jack Carson for the first time in the gangster comedy Larceny, Inc. co-starring Edward G. Robinson.

with Jack Carson

From that point on Jane and Jack would team up for 3 more comedies: Princess O'Rourke (1943 with Olivia de Havilland); Make Your Own Bed (1944) and the classic screwball film The Doughgirls (1944) featuring an all-star cast of Ann Sheridan, Alexis Smith, Eve Arden and Charlie Ruggles.

with Kay Kyser

Jane would also star in 1942's My Favorite Spy with Kay Kyser and Footlight Serenade with Betty Grable. So while she may be known more for her dramas and to be fair she did win an Oscar for Johnny Belinda, I think Jane was very underrated when it came to comedy and she was very good at it. Her chemistry with Jack Carson was a plus in those films and her willingness to be a team player in those other films only helped make her a better all around actress. Hats off to Jane Wyman, one of the best.

The Doughgirls: Eve Arden, Jane Wyman, Alexis Smith and Ann Sheridan

Check out this clip from Torchy Blane starring the first Torchy (Glenda Farrell) asking a slightly confused but funny Jane Wyman some questions. It's cool that Jane would later go on to play Torchy in one of the sequels.

Irene and Cary team up for the first time in The Awful Truth

One of the earliest screwball comedies and one of the best is the 1937 classic, The Awful Truth, which paired Irene Dunne and Cary Grant for the very first time. It's no secret that I have always thought Cary and Irene made the best on screen couple. And Cary has worked with some of the top actresses in the world but he was never better than when paired with Dunnie. The plot of this film has Jerry and Lucy Warriner preparing to divorce and trying their best to ruin each other's chances of remarriage. As one of the early screwball comedies, Truth doesn't hold anything back. The dialogue is crisp and biting. Cary and Irene have wonderful chemistry in their first film together and Irene is positively firing on all cylinders. She is funny from the word go. I believe the great Katherine Hepburn had to have seen this film prior to making Bringing Up Baby and based her performance on what Irene did. She had too. Dunnie was just that good in Truth. The film moves at a brisk pace given the fact it's running time is 92 minutes and not one single second is wasted. In addition to Dunne and Grant, there is terrific support from Cecil Cunningham as Aunt Patsy and Ralph Bellamy in his typical role of the stand up guy. Also Asta the dog from The Thin Man series is a hoot as Mr. Smith. Expert direction from Leo McCarey, who won an Oscar for Best Director for his work here and he deserved it. So if you have never watched The Awful Truth, find it online or rent it or better yet buy it, because you will want to watch this film over and over again.

Jerry: I'm going out to get some popcorn and pink lemonade. I've just seen a three-ring circus.

Topper (1937) is a good screwball farce...

A fun-loving and handsome couple (Cary Grant, Constance Bennett) are killed when they smash their sporty roadster into a tree while returning from a bender. As ghosts in limbo, they decide that one good deed will send them to heaven, so they choose to enliven the life of their dull friend Topper (Roland Young) by showing him how to live as they did -- fast and loose. One of the best screwball comedies of the 1930's with the entire cast clicking on all cylinders. In addition to Grant, Bennett, and Young, look for the great Billie Burke as Mrs. Topper. She's a hoot as usual. Followed by two more entertaining sequels, Topper Takes A Trip (1938) and Topper Returns (1941).

Happy Birthday Irene Dunne (1898 - 1990)

Happy Birthday to Irene Dunne, a grand actress who starred in all kinds of films: musicals, westerns, dramas, and of course screwball comedies. Her pairings with Cary Grant are legendary with The Awful Truth, My Favorite Wife and Penny Serenade. And Irene was sensational in the screwball comedy classic Theodora Goes Wild. Other films include Love Affair (1939), A Guy Named Joe (1943), The White Cliffs Of dover (1944), and Life With Father (1947). Happy Birthday Dunnie, as my friend Renata calls her.

Christmas In Connecticut (1945) is my favorite Christmas movie

If I had to choose one Christmas movie to watch during the holidays I would probably choose Christmas In Connecticut (1945). I know there have been countless blogs and posts written about this classic so I won't add another review of this by now familiar tale. Suffice to say, this film works because of just two little words: Barbara Stanwyck. She is positively amazing as columnist Elizabeth Lane, viewed today as the Martha Stewart of her day. Except for the fact that Ms. Lane's description of herself and her abilities is all lies. She can't cook, doesn't know a thing about decorating or antiques, and definitely does not live the family life on a farm in Connecticut as she has told all her loyal readers. Needless to say her lack of skills will be tested when her publisher puts her on the spot to cook a family Christmas dinner for a wounded returning soldier (Dennis Morgan). I simply think this is one of the best of the Christmas films from yesteryear. And when you think about it, the film really is not about Christmas per se, but it's story just happens to take place during Christmas. That won't stop anyone from enjoying this film though. But you will find hearty laughs and a nice comfort feeling while watching this film. As I stated before Barbara Stanwyck is definitely the star of this movie and she carries it like a seasoned professional. Her comic timing, which was not used nearly enough in her stellar career, is perfection. She looks absolutely stunning and plays off her fellow co-stars with ease. Delivering some of the best lines with that sly twinkle in her eyes. One of the scenes I love is when the owner of the magazine requests that she do her sensational high pancake flip that she is famous for. Of course Elizabeth has never tossed a pancake in her life, so the look of her face as she steps up to the stove and grabs the pan to flip the pancake looks like a person marching to the electric chair. I recommend Christmas In Connecticut as a perfect movie to view with friends and family over the holidays. You won't regret it.

The More The Merrier (1943) is good whimsical fun

Delightful comedy set during the WW2 housing shortage in Washington, DC.

Connie Milligan (Jean Arthur) rents an apartment. Believing it to be her patriotic duty, Connie offers to sublet half of her apartment, fully expecting a suitable female tenent. But instead she gets a mischievous, middle-aged man named Benjamin Dingle (Charles Coburn). Dingle talks her into subletting to him and then promptly sublets half of his half to young, irreverent Joe Carter (Joel McCrea). Then the rest of the movie has Dingle playing matchmaker for Connie and Joe. This is a top notch comedy that was one of several similarly themed movies. The others include Pillow to Post with Ida Lupino and The Doughgirls with Jane Wyman and Ann Sheridan. The More The Merrier makes good use of it's talented cast with Jean Arthur, who by this time is a skilled comedienne thanks to earlier films such as The Devil and Miss Jones, and Easy Living. She makes it look so easy. Charles Coburn is also a delight as the meddlesome Dingle. And Joel McCrea, who had his share of other classic comedies such as The Palm Beach Story and Sullivan's Travels is pretty good too. And in the hands of skilled director George Stevens, everything clicks like a well oiled machine.

Planes, Trains and Automobiles(1987).

Planes, Trains and Automobiles(1987). It was written, produced and directed by John Hughes. Cast: Steve Martin and John Candy.

After being on a business trip in New York, Neal Page is traveling back home to be with his family in time for Thanksgiving. His journey begins with with Del Griffith stealing his taxi cab right out from under his nose. Their misadventure continues when their flight from LaGuardia Airport to O'Hare is diverted to Wichita because of a blizzard. What should have been a 1 hour and 45 minute New York-to-Chicago flight turns into a three-day adventure. To complicate matters even further, on the first night in Wichita, a thief breaks into their motel room and steals all their money.

After burning down the car, Neal blames Del for all their troubles. In turn Del accuses Neal of being too critical. After their heated argument, a bond forms between them and they pull their resources together to finally make their way home.

Believing that Del has a family of his own, the two men part ways. Neal later pieces together things Del said and realizes that Del is alone. Will Neal go back to the train station looking for Del?

In my opinion John Candy is underrated comedian. There are some important messages in this film.For example the argument scene: Del says, "You wanna hurt me? Go right ahead if it makes you feel any better. I'm an easy target. Yeah, you're right, I talk too much. But I also listen too much. I could be a cold-hearted cynical like you, but I don't like to hurt people's feelings. So you go right on and think what you like about me. But I'm not changing. I - I like me. My wife likes me. My customers like me. 'Cause I'm the real deal. Wotcha see is wotcha get. "Planes, Trains and Automobiles" is one of my favorite Comedies. Happy Thanksgiving. Sorry, I could only find part 1 of the documentary.

Laila Robins, performed in many film and television roles. In 2006, she played Nora Paxton in The Book of Daniel. She played Victoria Heller in Gabriel's Fire(1990). She also appeared in the television movie Dream Breakers (1989) and The Equalizer(1988). On The Sopranos, she portrayed the younger version of manipulative, conniving, abusive family matriarch Livia Soprano. In 1987, she played Steve Martin's wife in the movie Planes, Trains & Automobiles directed by the late John Hughes. In 2006, she played Toddy Allen in The Good Shepherd, directed by Robert De Niro. She made her film debut in the 1987 picture, A Walk on the Moon. In 2009, it was announced that she will be playing Claire Williams, on the daytime drama, All My Children.