Screwball Stars are just like us...

Here are some photos showing stars of screwball comedies doing regular folk stuff...just like us

WASHING DISHES

KNITTING

TRYING ON SHOES

EATING BREAKFAST

LISTENING TO RECORDS

TAKING PICTURES

READING MAPS

TRAVELING BY TRAIN

WALKING THE DOG

AND A LITTLE TARGET PRACTICE

Ginger Rogers Having Wonderful Time (1938)

Ginger headlines this terrific comedy as New York office girl Thelma "Teddy" Shaw who goes to the Catskills for some rest and relaxation and winds up being romanced by Douglas Fairbanks Jr. It's all entertaining fun with Ginger and Douglas making quite a good pair. And also the supporting cast is top notch with Eve Arden, Lucille Ball, and Jack Carson. Coincidentally these three had just worked with Rogers the year before on the classic film Stage Door. Having Wonderful Time is a breezy comedy that I enjoyed thoroughly.

Stage Door (1937) is terrific...Hollywood at it's golden best

Director Gregory La Cava assembled a stunning roster of some of the best actresses for this delightful comedy/drama. Katherine Hepburn, Ginger Rogers, Lucille Ball, Eve Arden, Ann Miller, Gail Patrick and Andrea Leeds. How's that for a cast. And then throw in Adolphe Menjou, Jack Carson and Franklin Pangborn, and you have one of the best film casts ever assembled. It rivals the all women cast of the 1939 classic The Women. The story has Terry Randall (Hepburn), a rich society beauty wants to see if see can make it on Broadway all by herself, with no help from her family. She goes to live in a theatrical boarding house called The Footlights Club and finds her life caught up with those of the other inmates and the ever-present disappointment that theatrical hopefuls must live with. Her room-mate Jean (the wonderfully biting Ginger Rogers) resents her from day one and their tenous relationship fuels the entire movie. The look Jean gives Terry once she realizes they're going to be room-mates is classic. While Stage Door is not really a screwball comedy, it does feature several hilarious moments and wonderful comedic dialogue. I mean with wise-crackers like Rogers, Eve Arden and Lucille Ball on hand, how could it not be. But it does turn very dramatic at times, and there is even an unexpected death that just shatters the close knit group of women. As far as the acting goes, Rogers is top notch. She easily stands out among her fellow actresses with her seen it all, done it all character Jean. Lucille Ball is also very good as Judith, as she has comic troubles with dating. Judith and Jean's double date with some visiting lumberjacks is a riot. Hepburn is ok, but at times seems uncomfortable amid all the other women. I believe Kate worked her best magic with either Tracy of Cary Grant. Regardless, Stage Door is one of my favorite films and it is a joy to watch again and again.

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Judy Canfield: Do you want a date?
Jean Maitland: To some other lumberman?
Judy Canfield: Am I supposed to apologize for being born in Seattle?
Jean Maitland: Well, the last couple we went stepping with were made of lumber. Especially their feet.
Judy Canfield: All right, all right, you can stay here and gorge yourself on lamb stew again.

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Terry Randall: I see that, in addition to your other charms, you have that insolence generated by an inferior upbringing.
Jean Maitland: Hmm! Fancy clothes, fancy language and everything!
Terry Randall: Unfortunately, I learned to speak English correctly.
Jean Maitland: That won't be of much use to you here. We all talk pig latin.

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Terry: Do you go to sleep right away?
Jean: Sure, what do you go to bed for?

The Doughgirls (1944) is screwball comedy at it's best...

Coming out at the tail end of the screwball comedy genre is this wonderful and entertaining film, The Doughgirls. Featuring an all-star cast of Ann Sheridan, Jane Wyman, Jack Carson, Eve Arden, Charlie Ruggles and Alexis Smith. The story centers on recently married couple Arthur and Vivian Halstead (played by Carson and Wyman) who arrive in Washington, DC to honeymoon in their reserved suite. But with the wartime housing shortage (this film is set during WW2) things do not go as planned. When they arrive, their room is already occupied by another recently married couple, Julian and Edna Cadman (played by John Ridgely and Ann Sheridan). There is a tense scene when the two women meet behind closed doors that you think is going to turn ugly, but ends up being not so bad, once they realize they are friends from their old chorus line days. Soon a third friend will drop by a Nan Curtis Dillion (Alexis Smith) who is there to marry a soldier fiancee, who is en route before he flies out on a mission. All this is well and good except that Arthur wants to spend time with his wife, but with so many people dropping by that becomes futile. Eve Arden shows up as Russian soldier, Sgt. Natalia  Moskoroff, on a goodwill tour of the United States. Her accent will have you cracking up every time she speaks. And she also carries her rifle everywhere she goes, occasionally letting off a few shots from the balcony, much to the chagrin of the hotel's manager. Also on hand is Charles Ruggles as Stanley Slade, Arthur's new boss, who decides to put the moves on Vivian. And Edna has to deal with the return of Julian's ex-wife, who wants him back in a big way, now that he is meeting with the high rollers of D.C. Almost all of the action takes place in this one room but a lot of things and situations happen that will keep you entertained throughout.

The performances are all wonderful. Jane Wyman is awesome as Vivian. She gives a ditzy blonde performance (even though she is brunette) that would make Marilyn Monroe proud. You won't believe half the things that come out of her mouth but you will be laughing anyway. I never knew Wyman could be this funny. Ann Sheridan is pretty good too despite a few times she comes close to going over the top with her shrieking. But she gives the best double takes along with Jack Carson out of the whole cast. And speaking of Carson, he is in top form as usual. Alexis Smith actually is quite good in a comedy role instead of her usual dramatic ones. She even gets to do a thick Brooklyn accent that will bring a smile to your face. And let's not forget the great Charles Ruggles, who is perfect as Slade.

The Doughgirls is a very funny movie that I loved from the get go. It's setting will remind you of The More the Merrier and Government Girl, as those films also dealt with the wartime housing shortage. And it is just as memorable as those films as well. I have no problem placing The Doughgirls on the list of great screwball classics.
B+